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Analysis of institutional authors

Taborda-Hernandez, ECorresponding AuthorGarcia, FjmAuthor

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September 27, 2022
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Article

Analysis of In the city (2003) by Cesc Gay as an author model in contemporary Spanish cinema

Publicated to:Fotocinema: Revista Científica De Cine Y Fotografía. 23 (23): 179-200 - 2021-01-01 23(23), DOI: 10.24310/Fotocinema.2021.v23i.12368

Authors: Taborda-Hernandez, Ernesto; Miranda Garcia, Francisco Javier

Affiliations

Univ Rey Juan Carlos, Madrid, Spain - Author

Abstract

The Spanish cinema has many virtues, as an industry, as a cultural asset and as a tradition rooted over the years, of the successes and of the profound contributions to the cinematographic medium that its directors and their films have made. One of these virtues is that in the past decades, the end and the beginning of the century, the choice of the personal factor has always predominated as a reference criterion in the making of films. Its directors, for the most part, become authors from that unique artistic personality, which differentiates their films from among many due to the theme, language and way of dealing with stories. In this context, Cesc Gay's cinema, especially his second film, En la ciudad (2003), serves as a guide to analyze the director as an author model of that Spanish cinema between millennia, from the use of language, narrative tools and expressive resources, using an analysis model that allows obtaining related and differential elements, both in his work and in the work of other authors, so that this approach can be extended to other Spanish and European films and directors.

Keywords

Author's modelAuthor`s modelCesc gayEn la ciudadFilm analysisSpanish cinema

Quality index

Bibliometric impact. Analysis of the contribution and dissemination channel

The work has been published in the journal Fotocinema: Revista Científica De Cine Y Fotografía due to its progression and the good impact it has achieved in recent years, according to the agency Scopus (SJR), it has become a reference in its field. In the year of publication of the work, 2021, it was in position , thus managing to position itself as a Q2 (Segundo Cuartil), in the category Visual Arts and Performing Arts.

From a relative perspective, and based on the normalized impact indicator calculated from the Field Citation Ratio (FCR) of the Dimensions source, it yields a value of: 1.05, which indicates that, compared to works in the same discipline and in the same year of publication, it ranks as a work cited above average. (source consulted: Dimensions Aug 2025)

Impact and social visibility

From the perspective of influence or social adoption, and based on metrics associated with mentions and interactions provided by agencies specializing in calculating the so-called "Alternative or Social Metrics," we can highlight as of 2025-08-18:

  • The use of this contribution in bookmarks, code forks, additions to favorite lists for recurrent reading, as well as general views, indicates that someone is using the publication as a basis for their current work. This may be a notable indicator of future more formal and academic citations. This claim is supported by the result of the "Capture" indicator, which yields a total of: 1 (PlumX).

It is essential to present evidence supporting full alignment with institutional principles and guidelines on Open Science and the Conservation and Dissemination of Intellectual Heritage. A clear example of this is:

  • The work has been submitted to a journal whose editorial policy allows open Open Access publication.
  • Additionally, the work has been submitted to a journal classified as Diamond in relation to this type of editorial policy.

Leadership analysis of institutional authors

There is a significant leadership presence as some of the institution’s authors appear as the first or last signer, detailed as follows: First Author (Taborda Hernández, Ernesto José) and Last Author (Miranda García, Francisco Javier).

the author responsible for correspondence tasks has been Taborda Hernández, Ernesto José.